"Didn't It Rain (Children)" is one of Sister Rosetta Tharpe's most celebrated songs, deeply rooted in the gospel tradition. A concert, in the rain, was recorded by Granada Television at the disused railway station at Wilbraham Road, Manchester, in May 1964. They had dressed the disused station up to resemble what they imagined the "deep South" would look like. Then the typical Mancunian weather drenched it. Sister Rosetta made the call to change the set list at the last minute and perform this as the opening number. The band performed on one platform while the audience was seated on the opposite platform. The song captures a sense of spirituality, reflecting on the themes of divine intervention and the feeling of being uplifted through faith during challenging times. Tharpe's energetic performance style combined with her remarkable guitar skills helped to bridge the gap between gospel and popular music, paving the way for future artists across various genres. Originally popularized in the 1930s, the song features a lively tempo and infectious rhythm, showcasing Tharpe's unique ability to infuse gospel music with the energy of blues and rock. Her influence can be seen in many artists who followed, and she is often credited with helping to lay the groundwork for rock and roll. Tharpe's contribution to music history extends beyond just "Didn't It Rain;" she was a trailblazer for female musicians, particularly in a time when the music industry was dominated by men. Her legacy continues to inspire musicians today, and her work is celebrated for its emotional depth and cultural significance.

The history of "All Too Well" dates back to its original release on Taylor Swift's 2012 album, "Red." The song was co-written by Swift and produced by Nathan Chapman and Dan Wilson. Since its debut, it has been praised for its storytelling and emotional depth, becoming a fan favorite. In November 2021, Taylor released a re-recorded version of "Red" as part of her project to reclaim her music catalog. This re-release included an extended ten-minute version of "All Too Well," which provided more details and context about the relationship that inspired the song. The extended version garnered critical acclaim and broke several streaming records upon its release. The song is widely believed to be about Swift's relationship with actor Jake Gyllenhaal, which added to its intrigue and speculation among fans. "All Too Well" has solidified its place as one of her signature tracks, showcasing her talent for songwriting and storytelling.

"Hazy Shade of Winter" is a song originally by Simon & Garfunkel, released in 1966. It was later famously covered by The Bangles in 1987, which brought the track a new wave of popularity.

The Bangles' version of "Hazy Shade of Winter" was featured in the soundtrack of the 1987 film Less Than Zero and became a big hit. Their rendition added a punchier, more energetic sound with jangly guitars and vibrant vocals, distinct from the original folk-style of Simon & Garfunkel.

The song's lyrics explore themes of changing seasons, the passage of time, and a sense of melancholy, making it a reflection on life's fleeting nature. The chorus, "Look around, leaves are brown," invokes the feeling of winter's arrival and the metaphorical coldness of life during difficult times.

“Not Ready to Make Nice” is a song by the American country music group The Chicks (formerly known as Dixie Chicks). It was released in 2006 as the lead single from their album Taking the Long Way. The song was written by the members of The Chicks - Natalie Maines, Emily Robison, and Martie Maguire - along with Dan Wilson.

“Not Ready to Make Nice” addresses the backlash and controversy the group faced after Natalie Maines made critical comments about President George W. Bush during a concert in 2003. The song expresses defiance and determination in the face of criticism and adversity. The lyrics reflect the group's refusal to back down or apologize for expressing their beliefs.

The song received critical acclaim for its powerful lyrics and emotional delivery. It won several awards, including three Grammy Awards in 2007 - Song of the Year, Record of the Year, and Best Country Performance by a Duo or Group with Vocal. “Not Ready to Make Nice” became one of The Chicks' signature songs and remains a powerful anthem of resilience and standing up for one's beliefs.

"I Don't Wanna Fight" is a soulful pop ballad by Tina Turner, released in 1993 as part of the soundtrack for the biographical film What's Love Got to Do with It. Written by Lulu, Billy Lawrie, and Steve DuBerry, the song captures the emotional toll of a strained relationship and the longing for peace rather than continued conflict. With its smooth melody and powerful vocal delivery, the track became one of Turner’s notable later-career hits, resonating with fans worldwide. It peaked in the top 10 on charts in both the U.S. and the UK, further cementing her legacy as a powerhouse performer capable of conveying deep emotion and resilience through music.

"Talkin' Bout a Revolution" is one of Tracy Chapman's most iconic songs, released on her self-titled debut album in 1988. The song portrays the struggles faced by individuals in society, particularly focusing on economic hardship and the desire for a better future.

The opening lines set a reflective tone, illustrating the feeling of being overlooked and the longing for change. As the song progresses, it shifts to a more hopeful message, emphasizing that a revolution can start with ordinary people who are determined to fight for their rights.

Chapman's soulful voice and poignant lyrics invite listeners to recognize their power to enact change within their communities. The recurring refrain reinforces the importance of solidarity and collective action, reminding us that while the journey may be challenging, hope and resilience can lead to a brighter future.

The song has become a timeless anthem, resonating with movements for social justice and equality throughout the years. Its themes remain relevant, motivating listeners to continue pushing for progress in their own lives and in society as a whole.